CHRISTINE FENZL photography



Land in Sonne
moscow inside
shanghai grounding
striking chance - streetfootball
Karosta
Gdansk
along the peacelines
info
    >>   biography
    >>   curriculum vitae
    >>   exhibitions
press
contact
imprint

book shop
agb - terms of condition
datenschutz - privacy

curriculum vitae
curriculum vitae

* 5.2.67 in Munich

 
1986 matriculation in Munich

1986-87 study at "Bayer. Staatslehransstalt für Fotografie" photoschool, Munich

1989 - 91 freelance assistance in New York (L.A., Washington D.C.,Baltimore, Seattle) for Andrew Moore, Chip Simons, Darryl Estraine, Silvia Otte Ashkan Sahihi, Abe Fraijndlich, Jean Kallina, Ebet Roberts, Josef Astor, Monica Stevenson..etc

1992 - 94 fulltime assistance for Nan Goldin / Berlin (London, Paris, Tokyo "Tokyo- Love" bookproject with Nobuyoshi Araki, N.Y.C , Salzburg / Summeracademy, Sydney)

1992 - 2002 project-related assistence for Piotr Nathan, fine arts (Whitechapel Art Gallery, Hamburger Kunsthalle, Istanbul)

since 1995 freelance photographer

  project-related assistence, exhibition - development and installation for Nan Goldin / "I'll be your mirror", Whitney Museum N.Y.C.1996, Wolfsburg 1997, Vienna 1998, Prague 1999 and "Le Feu Follet", Centre Pompidou, Paris 2001

  portrays actors for living

2000 "Along the Peacelines", series - portraits of children in Belfast, Northern Ireland

2002 / 2003 "Gdansk, POLAND 2002 /2003" Series - portraits of children and teenagers
(Gdansk, Chelmza und Chelmno)

2004 "Karosta / Liepaja, Latvia, 2004" - Portraits of Latvian - Russian teenagers (supported by STELLA Den Haag)

  Series-Lofoten Islands, Norway

  Artist in Residence at the studio programm at the Office for Contemporary Art Norway in june 2004, Oslo

2005 "striking-chance- streetfootball" portraits of streetfootballplayers in London-Great Britian, Skopie-Mazedonia, Sao Paulo- Brazil

  Artist in Residence Programm / scolarship -Goethe Institut - Sao Paolo, Brazil in October 2005

2005/2006 "Art and Football - Copa das Culturas ", Centro Cultural Banco do Brasil, Rio de Janeiro, Salvadore
and Porto Alegre, Brazil, curated by Alfons Hug

2006 "striking-chance- streetfootball " in Mathare, Nairobi - Kenya

2007 Nomminee REAL Photography Award -The Netherlands

2008 REAL Photography Award ", Las Palmas II Exhibition Center, Rotterdam

2009 Award for Fotokunst 2009, collection Klein, Nussdorf Eberdingen, Alison and Peter Klein

  Les Rencontres d´Arles, "ça me touche", curated by Nan Goldin

2009 / 2010 scolarship-artist in residency - Moscow - of the Senetate Chancellery for Cultural Affairs Berlin

2010 collection Alison and Peter W. Klein, Nussdorf Eberdingen, Alison und Peter Klein and at the house of representation of Baden Wuertenberg, Berlin

2010/2011 Global photography, Le Officine Minganti, global photography, Roma, Bologna, Italy and Rovinj Photo Days, Croatia, curated by Stefania Roessl and Massimo Sordi

2011 / 2012 foundation of gODigital, Fenzl & Kirschnick GbR, lab for finest digital print productions

2013 photo -campaign for "Aktion Mensch"

  teaching seminar at the Muthesius Kunsthochschule, Kiel, Oct 2013

2015 Book Edit: Nan Goldin "Diving for Pearls", Steidl Verlag/ Kestner Gesellschaft teaching seminar for the Muthesius Kunsthochschule, Denmark April 2015 Work stipend in visual arts - Senate Chancellery Cultural Affairs Berlin

2016 " Berlin Raum Radar" new architecture photography, Berllin, curated by Nadine Barth "Where are we now", n.b.k. Neuer Berliner Kunstverein, Berlin, curated by Silke Wittig and Frank Wagner

2018 OFF TRIENNALE Hamburg curated by Nina Venus

2019 Senate Department for Culture and Europe, Berlin- Presentation Funding 2019- Catalogue selected for for Portraits Hellerau Photography Award, Dresden

  publications in magazines: Der Spiegel, Tagesspiegel, Marie Claire, Vogue, Die Zeit, Zeitleben, Stern, Liberation, Annabelle, abitare, arte Magazin, Liberation, légère, Line, Nido, Emotion, Quest, Playboy, Park Avenue, Stern, The New York Sunday Times " etc.
  Land "Land in Sonne" , published by Hatje Cantz
© christine fenzl 2022